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Could the idea of influence, of compound and of decomposition be understood by some other means rather than by touch? Can we touch the other side of the screen? What determines the life of an image behind the protective glass with illusion projection? One touch makes it possible not only to provoke the reaction of the receiving material, but also to study your own receptors. The cat’s rough tongue. Its hair. A ray of sunshine on the cheek. The atmosphere in an old apartment. All this consists of tiny balls. A long time ago thought the sheer willpower of millions of people, we agreed to call these constellations of balls just this way. And each of these combinations has its own characteristics, wishes and will.

Could the idea of influence, of compound and of decomposition be understood by some other means rather than by touch? Can we touch the other side of the screen? What determines the life of an image behind the protective glass with illusion projection? One touch makes it possible not only to provoke the reaction of the receiving material, but also to study your own receptors. The cat’s rough tongue. Its hair. A ray of sunshine on the cheek. The atmosphere in an old apartment. All this consists of tiny balls. A long time ago thought the sheer willpower of millions of people, we agreed to call these constellations of balls just this way. And each of these combinations has its own characteristics, wishes and will.

Protey Temen

A mixed media artist working with drawings, videos, books and installations. Protey creates abstract visuals to explore and visualize the intersections between science and random visual data utilizing the poetry of everyday life processes.

Project Geography

Amsterdam, Barcelona, Berlin, Bologna, Bordeaux, Copenhagen, Denver, Ekaterinburg, Kassel, London, Los Angeles, Lyublyana, Milan, Moscow, New York, Paris, Perm, Rio de Janeiro, Rotterdam, Seoul, Sofia, Sydney, St. Petersburg, São Paulo, Venice, Verona, Vienna, World Wide Web